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+ | From September 18 to September 20, 2005 Julien Ottavi and Dion Workman | ||
+ | will implement the next stage in their ongoing collaboration. Since 2003 | ||
+ | Ottavi and Workman have been developing a collaborative practice that | ||
+ | explicitly engages with the social context of experimental music; | ||
+ | dissolving boundaries between performance and installation, | ||
+ | and studio space (or, the inside and outside of ‘musical’ spaces), | ||
+ | improvisation and composition, | ||
+ | indeterminate duration. Their collaborative practice constitutes a pure | ||
+ | research of sonic intervention into socio-architectonics. | ||
+ | |||
+ | Spati0silo will consist of a single long duration performance/ | ||
+ | utilizing a 16 channel sound system designed and built by Stephan Moore. | ||
+ | Capturing sound from the grounds of Issue Project Room, inside the silo | ||
+ | that constitutes the performance space and further inside their computers, | ||
+ | Ottavi and Workman will construct a 36 hour long piece that explores the | ||
+ | aesthetic and technological possibilities of complex sonic spatialization. | ||
+ | |||
+ | The complexity of the projects technological and sonic/ | ||
+ | will be mirrored in the level of engagement of the artists with their | ||
+ | audience. The relatively long duration of the performance allows for an | ||
+ | on-going conversation where audience responses can inform the ‘piece’ | ||
+ | allowing for a social feedback loop that contributes to the evolution of | ||
+ | the work. This conversation may operate on the various levels of | ||
+ | aesthetic, technological or socio-political considerations. | ||
+ | |||
+ | Julien Ottavi is a Nantes (France) based sound artist. He is a founding | ||
+ | member of Formanex (performing 20th Century graphic scores by Cornelius | ||
+ | Cardew, John Cage, Christian Wolff, Morton Feldman and Earle Brown among | ||
+ | others) and regurlarly collaborates with Dion Workman, Kasper T. Toeplitz, | ||
+ | Pizmo, Ralf Wehowsky, Keith Rowe, Brandon Labelle and Sophie Gosselin. | ||
+ | Recent solo works by Ottavi include Nervure Magnetique | ||
+ | and For Degradable Music: the CDR I will Never Release (W.M.O/R). Ottavi | ||
+ | is also the founder of the experimental music organization APO33. | ||
+ | |||
+ | Dion Workman, a native of New Zealand now based in New York, is a composer | ||
+ | and improviser of experimental computer music. For over a decade Workman | ||
+ | has been articulating a unique sonic vision exploring the extreme edges of | ||
+ | musicality, “sound art” and the audible world. | ||
+ | In 2003 Workman was awarded the Max Brand Prize for innovation in | ||
+ | electronic and electro-acoustic music by the Austrian Cultural Forum for | ||
+ | his composition ‘Ching’ (Antiopic, 2003). | ||
+ | In 2004 Workman founded TMP a research collective of sound artists and | ||
+ | theorists investigating the relationship between sound and | ||
+ | psycho-geography. TMP research projects involve the manipulation of sound | ||
+ | in public spaces and the creation of vastly spatialized sonic pieces | ||
+ | where “composition” becomes the act of moving through space. |